Best of Black Sheep: THE IDES OF MARCH

THE IDES OF MARCH
Written by George Clooney, Grant Heslov and Beau Willimon
Directed by George Clooney
Starring Ryan Gosling, George Clooney, Philip Seymour Hoffman and Evan Rachel Wood


Stephen Myers: Nothing bad happens when you’re doing the right thing.
Governor Mike Morris: Is that your personal theory because I can poke holes in it.

George Clooney has been mulling making THE IDES OF MARCH for a few years now. When he first wanted to make it in 2008, he decided to put his plans on hold because of the political climate. The United States were on the cusp of a monumental election and a financial crisis and he did not want to take advantage of either. Three years later though, Clooney and his longtime production partner, Grant Heslov (GOOD NIGHT, AND GOOD LUCK) think the timing is now right to unveil their political thriller to the voting public. Apparently, it is acceptable to be critical of their government again.

Clooney plays Governor Mike Morris, a seemingly genuine and upstanding gentleman, who is trying to secure the democratic party nomination for the upcoming presidential race. Naturally, nothing is as it seems and it would appear that no one can get to such great heights without stepping over a few people along the way. To get where he is, you also need a crack team behind you and Governor Morris’ includes actors as diverse and talented as Ryan Gosling, Philip Seymour Hoffman and Evan Rachel Wood. Hoffman is the veteran, Wood is the intern and Gosling is the shiny new guy who is clearly on his way to greater things. In fact, Gosling’s career appears to mirror the position of his character, Stephen Myers. The man is certainly on his own streak and his lead performance here is another that will certainly continue to propel him forward.

THE IDES OF MARCH is a compelling and engaging thriller, despite not bringing much new to the table. Gosling’s Stephen gets caught up in the political crossfire behind the campaign scenes and it becomes a pretty harrowing challenge for him to ensure he still comes out ahead of everyone else. And while Clooney’s execution is smooth and effective, it does cater a little too often to his own political views. Clooney did not want his character to be a republican as he thought the criticism would be too obvious. As a democrat though, he gets the chance to voice all of platforms on topics as heated as gay marriage and tax incentives for the super rich. Everything he says seems so sensible, the film becomes something of a criticism for all politicians, as if to suggest it could be as easy as he claims if they would just get it together. And while Clooney may not be ready to run for president, he earns my vote for being a top notch film director.

Black Sheep interviews Max Minghella

The cast of George Clooney’s THE IDES OF MARCH is practically mammoth. Aside from Clooney himself, you have Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, Jeffrey Wright and Evan Rachel Wood. If you go one more name down the list though, you’ll come by one Max Minghella, and once you see the film, you’ll know why his name deserves to be included amongst all these others.

Minghella with Hoffman, Tomei and Gosling

“It’s an amazing privilege to work with people like that,” the 26-year-old, London native tells me in his charming accent. “It was such a useful experience in terms of education.” Personal benefits aside though, Minghella, who was part of another impressive cast last year in THE SOCIAL NETWORK, hopes the film’s pedigree does not hurt its chances of being seen. “There are so many prestigious actors, I hope it doesn’t turn people or get them to not root for the movie because I think it has a really strong heart.” So why the elaborate casting then? “I don’t think its cast for the sake of casting. It happens to have an extraordinary cast but they’re all the right people for the parts.”

In The Social Network

Minghella, the son of the late filmmaker, Anthony Minghella, was “obsessed” with Beau Willimon’s “Farrugut North”, the play this film is based on (“I saw it a lot”). He is happy that Clooney has done such a fine job directing. “All of the things I loved in the play are retained but George has managed to stretch it out on a much bigger canvas,” he states with some relief. And what of Clooney as a director? “He’s very clear. He’s a very pragmatic filmmaker, which makes you feel very safe as an actor. You feel like you have a real boss who knows where he needs to be and knows where he needs to take us.” Incidentally, Minghella and Clooney have worked together before; he played Clooney’s son in Syriana.

Minghella and Gosling

“I never thought I was going to be an actor but I always knew I would be in film,” Minghella tells me when I ask if this is always where he saw his life headed. You might suspect that Minghella’s interest in filmmaking came from his Oscar-winning father, but in fact it was his mother who peaked his interest at a very young age. Carolyn Choa is a choreographer now but when Minghella was still a baby, she worked for the British Board of Film Classification, the British equivalent of the MPAA. “When I was a baby, she’d have to watch like five or six movies a day, and she’d tell me the plot summaries for each of these movies as my bedtime stories. So my imagination as a person is totally intwined with film as a medium. I wouldn’t know how to do anything else.”

So while Minghella’s name may not be above the title, he is honoured to have been a part of THE IDES OF MARCH. “I’ve never had this kind of fairy tale experience before of really wanting something, feeling like you’re the right person for it, and then it working out so simply. That’s never been my story before.”

And with that, a new story begins.

THE IDES OF MARCH

Written by George Clooney, Grant Heslov and Beau Willimon

Directed by George Clooney

Starring Ryan Gosling, George Clooney, Philip Seymour Hoffman 

and Evan Rachel Wood

Stephen Myers: Nothing bad happens when you’re doing the right thing.

Governor Mike Morris: Is that your personal theory because I can poke holes in it.

George Clooney has been mulling making THE IDES OF MARCH for a few years now. When he first wanted to make it in 2008, he decided to put his plans on hold because of the political climate. The United States were on the cusp of a monumental election and a financial crisis and he did not want to take advantage of either. Three years later though, Clooney and his longtime production partner, Grant Heslov (GOOD NIGHT, AND GOOD LUCK) think the timing is now right to unveil their political thriller to the voting public. Apparently, it is acceptable to be critical of their government again.

Clooney plays Governor Mike Morris, a seemingly genuine and upstanding gentleman, who is trying to secure the democratic party nomination for the upcoming presidential race. Naturally, nothing is as it seems and it would appear that no one can get to such great heights without stepping over a few people along the way. To get where he is, you also need a crack team behind you and Governor Morris’ includes actors as diverse and talented as Ryan Gosling, Philip Seymour Hoffman and Evan Rachel Wood. Hoffman is the veteran, Wood is the intern and Gosling is the shiny new guy who is clearly on his way to greater things. In fact, Gosling’s career appears to mirror the position of his character, Stephen Myers. The man is certainly on his own streak and his lead performance here is another that will certainly continue to propel him forward.

THE IDES OF MARCH is a compelling and engaging thriller, despite not bringing much new to the table. Gosling’s Stephen gets caught up in the political crossfire behind the campaign scenes and it becomes a pretty harrowing challenge for him to ensure he still comes out ahead of everyone else. And while Clooney’s execution is smooth and effective, it does cater a little too often to his own political views. Clooney did not want his character to be a republican as he thought the criticism would be too obvious. As a democrat though, he gets the chance to voice all of his platforms on topics as heated as gay marriage and tax incentives for the super rich. Everything he says seems so sensible, the film becomes something of a criticism for all politicians, as if to suggest it could be as easy as he claims if they would just get it together. And while Clooney may not be ready to run for president, he earns my vote for being a top notch film director.

Black Sheep interviews RYAN GOSLING

BEHIND THE WHEEL

An interview with Ryan Gosling

Ryan Gosling has a dream but its not what you would expect. It isn’t riches or success or notoriety; he has already achieved those lofty goals. No, Gosling has something much more specific in mind. “My dream is to create a character that people go out as on Halloween,” Gosling tells me when we meet at the Toronto International Film Festival. He says this with full sincerity and not a single trace of sarcasm on his beautiful face.

Gosling may have found that character in his new film, DRIVE. Known only as The Driver, his character sports a shiny bomber jacket with a giant scorpion on the back, is constantly fiddling with a toothpick in his mouth and he barely speaks a word most of the time. Aside from his inherent coolness, he is also one of the biggest badasses I’ve seen on screen all year. “He’s got issues,” Gosling quips of The Driver. “He’s a psychopath. He’s gotta get control of that, I guess.”

It was Gosling who pushed for DRIVE to be made and also for Danish director, Nicolas Winding Refn to helm. And once those two got started, there was no stopping them. “Nicolas and I creatively copulated and this movie baby was born and then we had to raise it,” explains Gosling. When he says things like this, he looks straight at you and doesn’t even flinch. It’s impressive.

The buzz behind DRIVE is as loud as the film itself and if it connects with audiences, which I assure you, it most certainly should, Gosling has the chance to continue solidifying his status as one of the most intriguing and marketable stars working today. Not too bad for a boy from London, Ontario. His work in this summer’s CRAZY, STUPID, LOVE was the best of the bunch and he also stars in next month’s THE IDES OF MARCH, directed by none other than George Clooney. Oscar is abuzz.

People are calling Gosling the next De Niro but he’s having none of it. “There is no difference between me and anyone else,” Gosling says both firmly and humbly, clearly somewhat irked by the notion itself. “I hate when that stuff happens,” he says of comparisons. “There’s no where to go after. It just sets you up to fail.”

Comparisons aside, the kind of intensity Gosling gives in DRIVE could not as easily be achieved by too many other young actors today. He is extremely intimidating and all he has to do is stand there and stare at you to accomplish this. When I ask him where he has to go in his head to be that menacing, he answers with three words, “Not too far.”

Gosling would simply prefer that his work speak for itself and his work in DRIVE is some of the best I’ve seen from him. This is likely, at least in part, due to his strong understanding of the material itself, which is based on a James Sallis novel. “Driving can be something of an existential experience,” he explains. “You aren’t being watched; you are just the watcher. It’s similar to watching a movie.”

And if that movie happens to have Gosling in the driver’s seat, all the better.

TIFF Review: THE IDES OF MARCH

Written by George Clooney, Grant Heslov and Beau Willimon

Directed by George Clooney

Starring Ryan Gosling, George Clooney, Philip Seymour Hoffman 

and Evan Rachel Wood

Stephen Myers: Nothing bad happens when you’re doing the right thing.

Governor Mike Morris: Is that your personal theory because I can poke holes in it.

George Clooney has been mulling making THE IDES OF MARCH for a few years now. When he first wanted to make it in 2008, he decided to put his plans on hold because of the political climate. The United States were on the cusp of a monumental election and a financial crisis and he did not want to take advantage of either. Three years later though, Clooney and his longtime production partner, Grant Heslov (GOOD NIGHT, AND GOOD LUCK) think the timing is now right to unveil their political thriller to the voting public. Apparently, it is acceptable to be critical of their government again.

Clooney plays Governor Mike Morris, a seemingly genuine and upstanding gentleman, who is trying to secure the democratic party nomination for the upcoming presidential race. Naturally, nothing is as it seems and it would appear that no one can get to such great heights without stepping over a few people along the way. To get where he is, you also need a crack team behind you and Governor Morris’ includes actors as diverse and talented as Ryan Gosling, Philip Seymour Hoffman and Evan Rachel Wood. Hoffman is the veteran, Wood is the intern and Gosling is the shiny new guy who is clearly on his way to greater things. In fact, Gosling’s career appears to mirror the position of his character, Stephen Myers. The man is certainly on his own streak and his lead performance here is another that will certainly continue to propel him forward.

THE IDES OF MARCH is a compelling and engaging thriller, despite not bringing much new to the table. Gosling’s Stephen gets caught up in the political crossfire behind the campaign scenes and it becomes a pretty harrowing challenge for him to ensure he still comes out ahead of everyone else. And while Clooney’s execution is smooth and effective, it does cater a little too often to his own political views. Clooney did not want his character to be a republican as he thought the criticism would be too obvious. As a democrat though, he gets the chance to voice all of his platforms on topics as heated as gay marriage and tax incentives for the super rich. Everything he says seems so sensible, the film becomes something of a criticism for all politicians, as if to suggest it could be as easy as he claims if they would just get it together. And while Clooney may not be ready to run for president, he earns my vote for being a top notch film director.

Black Sheep previews TIFF 2011

This will only be my second year covering the Toronto International Film Festival, in any official capacity that is. Last year, I had no idea what to expect from TIFF, as it is more affectionately known. I wanted to hit the festival running but TIFF just ended up running me ragged instead. If I wasn't sprinting from one venue to the next to catch another screening, I was rushing to an interview or trying to squeeze in some of the mounting writing that was waiting for me at home. I wasn't eating or sleeping properly and the moment I thought I had two minutes to breathe, my body shut down and I suffered through the last stretch of the festival with a massive head cold. Despite all of this, it was still one of the best times of my entire life.

A reader took this shot at the TIFF Box Office and sent it to me.

It may be naive to suggest but I am determined that this year is going to be even better. This year I will be sure to take my vitamins daily and to buy a subway pass so that I don't have to show up to interview filmmakers I admire with sweat dripping down my brow. I will also be stepping up my film intake as well. I devoured 30 films last September and this year I hope to hit 40. Having caught a bunch of films in pre-TIFF press screenings, I am already nicely on track to accomplish this. I'm also in a pretty good position to make some last minute recommendations for anyone looking to scour craigslist for exorbitantly overpriced tickets.

Keeping in mind that I've only seen 10 films so far, here are a few I don't think you should miss ...

THE ARTIST

Directed by Michel Hazanavicius

This much buzzed about silent film is my early prediction for the Cadillac People's Choice Award, an honour based solely on festival goer votes. It is charming and simple but its execution is an intricate design that will surely wow both audiences and critics, just as it did earlier this year at Cannes.

DRIVE

Directed by Nicolas Winding Refn

Refn took the directing honours at Cannes for this fact paced, ultra violent thriller. This is none too surprising considering how smooth the ride really is; it swerves through its seedy premise just as easily as it does the streets of Los Angeles. And with Ryan Gosling at the wheel, Refn can take me anywhere he likes.

THE IDES OF MARCH

Directed by George Clooney

And if you didn't get enough Gosling after that, you can catch him in the starring role in Clooney's first directorial effort in three years. To be honest, I cannot decide which movie I prefer him in; his abilities are becoming more and more remarkable with each passing year it seems and Clooney more than redeems himself for his last film, LEATHERHEADS, too.

MARTHA MARCY MAY MARLENE

Directed by Sean Durkin

This was my first TIFF11 film of the year and it has set the bar pretty high for everything I've seen since. Durkin's first feature made an indelible impression on Sundance audiences earlier this year and while that was surely in no small part due to his disturbing screenplay and direction, it is the breakout performance by newcomer, Elizabeth Olsen, that everyone will be talking about come awards season.

MELANCHOLIA

Directed by Lars von Trier

I would not have believed you if you had told me that one of my favourite movies of 2011 would be by the notorious Lars von Trier. While the director will not be in attendance at TIFF (he does not fly and lives in Denmark), his presence will surely be felt by anyone who sees his latest. I have never seen such a darkly humorous take on the apocalypse, nor one that is as unforgettable as this one.

Score tickets to any of those films and you will not be disappointed, I assure you.

Here now is the full list of films I hope to catch during the 36th annual Toronto International Film Festival.

50/50

Directed by Jonathan Levine

THE ARTIST

Directed by Michel Hazanavicius

A DANGEROUS METHOD

Directed by David Cronenberg

A MONSTER IN PARIS

Directed by Bibo Bergeron

ALBERT NOBBS

Directed by Roberto Garcia

ANONYMOUS

Directed by Roland Emmerich

BURNING MAN

Directed by Jonathan Teplitzky

BUTTER

Directed by Jim Field Smith

Quebecois director, Jean-Marc Vallee returns to TIFF with CAFE DE FLORE

CAFE DE FLORE

Directed by Jean-Marc Vallee

CHICKEN WITH PLUMS

Directed by Marjane Sartrapi and Vincent Paronnaud

COMIC-CON: EPISODE IV - A FAN'S HOPE

Directed by Morgan Spurlock

CORIOLANUS

Directed by Ralph Fiennes

DAMSELS IN DISTRESS

Directed by Whit Stillman

DEATH OF A SUPERHERO

Directed by Ian Fitzgibbon

THE DESCENDANTS

Directed by Alexander Payne

DRIVE

Directed by Nicolas Winding Refn

FRIENDS WITH KIDS

Directed by Jennifer Westfeldt

TIFF opens with this Davis Guggenheim directed documentary about U2

FROM THE SKY DOWN

Directed by Davis Guggenheim

THE IDES OF MARCH

Directed by George Clooney

INTO THE ABYSS

Directed by Werner Herzog

JEFF WHO LIVES AT HOME

Directed by Jay Duplass and Mark Duplass

KEYHOLE

Directed by Guy Maddin

THE KID WITH THE BIKE

Directed by Jean-Pierre and Luc Dardenne

THE LADY

Directed by Luc Besson

LAST CALL AT THE OASIS

Directed by Jennifer Yu

LIKE CRAZY

Directed by Drake Doremus

MARTHA MARCY MAY MARLENE

Directed by Sean Durkin

MELANCHOLIA

Directed by Lars von Trier

MISS BALA

Directed by Gerardo Naranjo

MONEYBALL

Directed by Bennett Miller

TIFF then closes the festival with PAGE EIGHT, from Oscar nominated screenwriter, David Hare.

PAGE EIGHT

Directed by David Hare

PEACE LOVE AND MISUNDERSTANDING

Directed by Bruce Beresford

PINA

Directed by Wim Wenders

RAMPART

Directed by Oren Moverman

SHAME

Directed by Steve McQueen

THE SKIN I LIVE IN

Directed by Pedro Almodovar

SLEEPING BEAUTY

Directed by Julia Leigh

TAKE SHELTER

Directed by Jeff Nichols

Seth Rogen and Michelle Williams try not to step on each other's feet in Sarah Polley's TAKE THIS WALTZ.

TAKE THIS WALTZ

Directed by Sarah Polley

THINK OF ME

Directed by Bryan Wizemann

TWIXT

Directed by Francis Ford Coppola

TYRANNOSAUR

Directed by Paddy Considine

W.E.

Directed by Madonna

WE NEED TO TALK ABOUT KEVIN

Directed by Lynne Ramsay

WINNIE

Directed by Darrel Roodt

The Toronto International Film Festival runs from September 8 until September 19.

For more information, visit the TIFF website.