THE AVENGERS

THE AVENGERS
Written and Directed by Joss Whedon
Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johannson, Jeremy Renner, Tom Hiddleston and Samuel L. Jackson


Captain America: Stark, we need a plan of attack.
Iron Man: I have a plan. Attack.

Comic book movies or superhero movies or whatever you want to call them, all inherently have a very difficult task to accomplish. They all have to cater to a notoriously picky niche market, made up of detail oriented fanboys, while still remaining broad enough to appeal to the masses. They cost a fortune so they cannot afford not to attract the widest audience possible, but if they play it too broad, the fanatics will denounce the film and ruin any chance it has of making any money back. THE AVENGERS is the mecca of superhero movies. It reportedly cost $220 million to make. It features no less than seven iconic Marvel comic characters. And, given just how darn good it is, it actually stands the chance to become the biggest superhero movie of all time.

If you’re like me, the first ten minutes of THE AVENGERS might be a little bewildering. The script presupposes that you’ve seen all the Avenger related movies leading up to this one. As it turns out, I have, with the first IRON MAN (Robert Downey Jr.) and THOR (Chris Hemsworth) being my favourites.  Still, that doesn’t mean that they are always freshly at the forefront of my mind. So once I pieced together that Thor’s brother, Loki (Tom Hiddleston) was working with an alien race to take over Earth by harvesting the energy from what is known as the Tesseract, I was good to go. (I’m sure the history behind this premise is far more rich than I’ve just described but for casual Avenger fans like myself, this description is more than adequate to get your bearings.) What follows the initial and inevitable set up though is two hours of non-stop excitement with a surprisingly solid amount of depth and character study to make THE AVENGERS the perfect popcorn movie to kick off the summer.

It is Loki’s mission to force the people of Earth into submission by using great force. His belief is that freedom is the world’s greatest lie, that pursuing a life of slavery and worship unburdens the individual of feeling any sense of failure. Without any unique goals, there is only the common to pursue. You should know that Loki has a bevy of his own daddy issues to work out and vanquishing Earth is just his way of dealing with things. You should also know that Nick Fury (Samuel L. Jackson), the leader of S.H.I.E.L.D. (which stands for Supreme Headquarters, International Espionage, Law-Enforcement Division) is not going to just allow this to happen. So he enlists the help of six individuals, all of which possess a particular power or skill that makes them a definite asset to have in an intergalactic war of this magnitude, and dubs them The Avengers. Unfortunately for Fury, The Avengers are all also intense loners who do not play well with others.

Perhaps the greatest honorary Avenger out there is writer/director, Joss Whedon. Marvel entrusted a film they have been building up to for years now to a man who has built a reputation for creating deeply engaging yet still highly entertaining genre fare on television, like “Buffy the Vampire Slayer”, but whose only feature length film (SERENITY) tanked. Whedon is right at home here though and he has a seemingly easy time balancing the screen time between all these heavy hitters, from Chris Evans (Captain America) and Jeremy Renner (Hawkeye) to Scarlett Johannson (Black Widow) and Mark Ruffalo (taking over the role of The Hulk from predecessor, Edward Norton), while simultaneously juggling all of their individual arcs and development. The genius of Whedon’s work here is that he has them all subtly fighting against each other and against the idea of working together long enough to forget they were fighting so hard against themselves before any of this started. And when they start fighting together, that’s when THE AVENGERS goes from being a great comic book movie to being a great movie, period.

MISSION IMPOSSIBLE: GHOST PROTOCOL

MISSION IMPOSSIBLE: GHOST PROTOCOL
Written by Josh Applebaum and Andre Nemec
Directed by Brad Bird
Starring Tom Cruise, Jeremy Renner, Paula Patton and Simon Pegg

After seeing the third installment in the MISSION IMPOSSIBLE series, and after witnessing the self destruction of franchise star, Tom Cruise, over the last few years, I would have bet that the most impossible mission of all would be getting a fourth film made. And that is to say nothing of whether it would even be watchable. Yet here we are with a fourth film on our hands and it was created at the hands of a director famous for animated rats (RATATOUILLE) no less. Somehow though, not only does Brad Bird manage to reinvigorate a dying series in one grand sweep but he also succeeds in unleashing one of the most exciting blockbusters I’ve seen all year.

MISSION IMPOSSIBLE: GHOST PROTOCOL is simply a non-stop blast of energy from start to finish. Drawing on his experience with the spy game (THE INCREDIBLES), Bird crafts a twisted trip for the viewer to get caught up in. His experience with the limitless genre of animation is directly applied to his intense and creative vision of the supposed real world. Of course, in real life, regular people don’t scale the biggest building in the world with their hands, but we can all agree this is pretty far away from real life. Audiences don’t want to watch Ethan Hunt (Cruise) and his team, - rounded out here by a hilariously endearing Simon Pegg, a stunning but not so intriguing Paula Patton and a solid, sexy Jeremy Renner - in reasonably tense scenarios. No, they want to see them in situations no one alive could ever get through but somehow still do. It isn’t about actual realism; it’s about finding out how far you can push implausibility and stopping just shy of that sweet spot.

Hunt is the perfect character for Cruise. He exhibits strength and smarts and does so with savvy. This is wear Cruise cruises. Hunt leads but he does so with few words and very little emoting. This is where Cruise usually crashes so its refreshing to watch him coast by on what he does best for a change. And as he leads his disavowed team on a mission to stop nuclear war from breaking out, he does so with a commanding stance and a reinvigorated sense of determination. It almost feels as though Cruise is not just fighting to save the world but he’s pushing it hard because he knows his career is on the line too. By the time he completes his mission, he has taken us on a ride so exhilarating, it actually had me getting flush from excitement and nerves. It is a mission both he and Bird can claim as accomplished with pride and as far as you’re concerned, it is well worth accepting.