The 84th Annual Academy Awards

The nominations are finally out! The Academy went with nine Best Picture nominees. I went with eight in my predictions and all eight of those made the list. How could I have known EXTREMELY LOUD AND INCREDIBLY CLOSE would snag a nod in the top category? And what? A tenth film would have really been that bad? Round it out, people!

First of all, I was 82% right with my predictions. My worst showing came from the Original Screenplay category. MARGIN CALL? Who knew? There are some mistakes I'm quite pleased about. The first is Terrence Malick for Best Director for THE TREE OF LIFE, which also made its way into the Best Picture race when so many people had written it off. The new Best Picture voting system favours films that have passionate followings and that definitely applies to this polarizing picture.

Other happy surprises this morning include Gary Oldman's Best Actor nomination for TINKER TAILOR SOLDIER SPY, which also managed a Best Adapted Screenplay nomination; Melissa McCarthy for Best Supporting Actress in BRIDESMAIDS, which also scored a Best Original Screenplay nod; and Max von Sydow for Best Supporting Actor in EXTREMELY LOUD AND INCREDIBLY CLOSE. All three names were tossed around but were never sure things and I'm happy to see them amongst this list.

Unacceptable oversights on the Academy's part include Michael Fassbender for Best Actor in SHAME. This snub is reason enough for me to consider not watching the show. Tilda Swinton in WE NEED TO TALK ABOUT KEVIN was also overlooked. I never really thought she could make it in such a competitive year but Elizabeth Olsen was incredible in MARTHA MARCY MAY MARLENE. 50/50 missed on the Best Original Screenplay category too. And Albert Brooks was overlooked for his delicious turn in DRIVE. Oh, and what about PROJECT NIM for Documentary Feature or the Golden Globe winner for Best Animated Feature, THE ADVENTURES OF TINTIN?! And to top it off, all of these incredible films were ignored completely in all the other categories (except for DRIVE, which scored a Sound Editing, and TINTIN, which scored an Original Score nod).

Oh, and did anyone notice that THE HELP did not score a Best Adapted Screenplay nomination? I guess that Best Picture win is looking a little less likely.

Here is the full list of nominees for the 84th annual Academy Awards. The winners will be announced on February 26, 2012.

(Scroll over any film title for the original Black Sheep review.)

BEST PICTURE

THE ARTIST
THE DESCENDANTS
EXTREMELY LOUD AND INCREDIBLY CLOSE
THE HELP
HUGO
MIDNIGHT IN PARIS
MONEYBALL
THE TREE OF LIFE
WAR HORSE

ACTOR IN A LEADING ROLE

Demian Bichir in A BETTER LIFE
George Clooney in THE DESCENDANTS
Jean Dujardin in THE ARTIST
Gary Oldman in TINKER TAILOR SOLDIER SPY
Brad Pitt in MONEYBALL

ACTRESS IN A LEADING ROLE

Glenn Close in ALBERT NOBBS
Viola Davis in THE HELP
Rooney Mara in THE GIRL WITH THE DRAGON TATTOO
Meryl Streep in THE IRON LADY
Michelle Williams in MY WEEK WITH MARILYN

ACTOR IN A SUPPORTING ROLE

Kenneth Brannagh in MY WEEK WITH MARIYLN
Jonah Hill in MONEYBALL
Nick Nolte in WARRIOR
Christopher Plummer in BEGINNERS
Max von Sydow in EXTREMELY LOUD AND INCREDIBLY CLOSE

ACTRESS IN A SUPPORTING ROLE

Berenice Bejo in THE ARTIST
Jessica Chastain in THE HELP
Melissa McCarthy in BRIDESMAIDS
Janet McTeer in ALBERT NOBBS
Octavia Spencer in THE HELP

ANIMATED FEATURE FILM

A CAT IN PARIS
CHICO AND RITA
KUNG FU PANDA 2
PUSS IN BOOTS
RANGO

CINEMATOGRAPHY

THE ARTIST
THE GIRL WITH THE DRAGON TATTOO
HUGO
THE TREE OF LIFE
WAR HORSE

ART DIRECTION

THE ARTIST
HARRY POTTER AND THE DEATHLY HALLOWS PART 2
HUGO
WAR HORSE

COSTUME DESIGN

ANONYMOUS
THE ARTIST
HUGO
JANE EYRE
W.E.

DIRECTING

THE ARTIST
THE DESCENDANTS
HUGO
MIDNIGHT IN PARIS
THE TREE OF LIFE

DOCUMENTARY FEATURE

HELL AND BACK AGAIN
IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT
PARADISE LOST 3: PURGATORY
PINA
UNDEFEATED

DOCUMENTARY SHORT

THE BARBER OF BIRMINGHAM: FOOT SOLDIER OF THE CIVIL RIGHTS MOVEMENT
GOD IS THE BIGGER ELVIS
INCIDENT IN NEW BAGHDAD
SAVING FACE
THE TSUNAMI AND THE CHERRY BLOSSOM

FILM EDITING

THE ARTIST
THE DESCENDANTS
THE GIRL WITH THE DRAGON TATTOO
HUGO
MONEYBALL

FOREIGN LANGUAGE FILM

BULLHEAD (Belgium)
MONSIEUR LAZHAR (Canada)
A SEPARATION (Iran)
FOOTNOTE (Israel)
IN DARKNESS (Poland)

MAKEUP

ALBERT NOBBS
HARRY POTTER AND THE DEATHLY HALLOWS PART 2
THE IRON LADY

MUSIC (ORIGINAL SCORE)

THE ADVENTURES OF TINTIN
THE ARTIST
HUGO
TINKER TAILOR SOLDIER SPY
WAR HORSE

MUSIC (ORIGINAL SONG)

MAN OR MUPPET from THE MUPPETS
REAL IN RIO from RIO

SHORT FILM (ANIMATED)

DIMANCHE/SUNDAY
THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE
LA LUNA
A MORNING STROLL
WILD LIFE

SHORT FILM (LIVE ACTION)

PENTECOST
RAJU
THE SHORE
TIME FREAK
TUBA ATLANTIC

SOUND EDITING

DRIVE
THE GIRL WITH THE DRAGON TATTOO
HUGO
TRANSFORMERS: DARK OF THE MOON
WAR HORSE

SOUND MIXING

THE GIRL WITH THE DRAGON TATTOO
HUGO
MONEYBALL
TRANSFORMERS: DARK OF THE MOON
WAR HORSE

VISUAL EFFECTS

HARRY POTTER AND THE DEATHLY HALLOWS PART 2
HUGO
REAL STEAL
RISE OF THE PLANET OF THE APES
TRANSFORMERS: DARK OF THE MOON

WRITING (ADAPTED SCREENPLAY)

THE DESCENDANTS
HUGO
THE IDES OF MARCH
MONEYBALL
TINKER TAILOR SOLDIER SPY

WRITING (ORIGINAL SCREENPLAY)

THE ARTIST
BRIDESMAIDS
MARGIN CALL
MIDNIGHT IN PARIS
A SEPARATION

Black Sheep predicts the 2012 Academy Awards

It's a shame the Academy of Motion Picture Arts and Sciences decided to change the Best Picture rules this year. Now, anywhere between five and ten films will be nominated for the field's most prestigious honour in a year that could have easily seen ten very deserving candidates fill those slots. Instead, each film must garner 5% of the first place vote in the Academy's intricate and complicated system to earn a slot in the Top 10. If only six films manage it, then so be it, there are only six nominees this year. At least they would know that the films nominated have passionate followings.

I predict eight films will be nominated for Best Picture tomorrow. A secret part of me really wants to say nine because I would love to see BRIDESMAIDS sneak in there too. I think it has a pretty good shot but I'm playing it conservatively. This way if I'm wrong, well I'll be happy to be it.

The following are my predictions in the eight major Oscar categories. The nominees will be announced tomorrow at 8:30 AM, my time. (That's PST, in case you don't know where I live.)

(Click on any title to read the original Black Sheep review)

BEST PICTURE

THE ARTIST
THE DESCENDANTS
THE HELP
HUGO
MIDNIGHT IN PARIS
MONEYBALL
THE TREE OF LIFE
WAR HORSE

BEST DIRECTOR

Woody Allen for MIDNIGHT IN PARIS
Michel Hazanavicius for THE ARTIST
Alexander Payne for THE DESCENDANTS
Martin Scorsese for HUGO
Steven Spielberg for WAR HORSE

BEST ACTOR

George Clooney in THE DESCENDANTS
Jean Dujardin in THE ARTIST
Michael Fassbender in SHAME
Gary Oldman in TINKER TAILOR SOLDIER SPY
Brad Pitt in MONEYBALL

BEST ACTRESS

Glenn Close in ALBERT NOBBS
Viola Davis in THE HELP
Meryl Streep in THE IRON LADY
Tilda Swinton in WE NEED TO TALK ABOUT KEVIN
Michelle Williams in MY WEEK WITH MARILYN

BEST SUPPORTING ACTOR

Kenneth Brannagh in MY WEEK WITH MARILYN
Albert Brooks in DRIVE
Nick Nolte in WARRIOR
Christopher Plummer in BEGINNERS
Max von Sydow in EXTREMELY LOUD AND INCREDIBLY CLOSE

BEST SUPPORTING ACTRESS

Berenice Bejo in THE ARTIST
Jessica Chastain in THE HELP
Melissa McCarthy in BRIDESMAIDS
Janet McTeer in ALBERT NOBBS
Octavia Spencer in THE HELP

BEST ORIGINAL SCREENPLAY

50/50
THE ARTIST
BEGINNERS
BRIDESMAIDS
MIDNIGHT IN PARIS

BEST ADAPTED SCREENPLAY

THE DESCENDANTS
THE HELP
HUGO
MONEYBALL
TINKER TAILOR SOLDIER SPY

Check back tomorrow for the full list of nominees and to see how I did. I've made a few risky choices so my fingers are crossed. Also, the term "risky" is relative in this scenario as we are in fact talking about Oscar predictions.

WAR HORSE

WAR HORSE
Written by Lee Hall and Richard Curtis
Directed by Steven Spielberg
Starring Jeremy Irvine, Emily Watson, Tom Hiddleston and fourteen different horses as “Joey”

The other day, I told a friend of mine that I had never in my life ever ridden a horse. She gasped in horror as if I had missed out on one of life’s most rewarding experiences. I’m not against the idea of it, although I can’t imagine horses enjoy that kind of weight on them for hours at a time. I have just never had the occasion and therefore, I have never had the chance to connect to one of these majestic creatures, like so many others. From what I understand, the bond between a person and a horse can be quite something but having no first hand experience with it, I have no idea why. And so, my lack of horse experience or appreciation may have unduly influenced my reading of Steven Spielberg’s WAR HORSE. Or maybe, it just wasn’t that great.

Based on both the original 1982 children’s novel by Michael Morpurgo and the 2007 stage play by Nick Stafford, WAR HORSE is the story of one remarkable journey, had by a horse. The horse, named Joey in the film, starts out born on a farm, and we are naturally present for that birth, and then, after being separated from his mother, is sold at auction in a pissing contest between a landlord and lis lessee. There, Joey must overcome his exquisiteness to become a work horse or the farmer will lose his land. Past that, he goes off to fight in the first World War and the film follows as he changes hands during his four years away from home. Some of the characters Joey meets along the way make for some tender and beautiful moments but given that the story is his, the perspective gets away from him all too often. A horse’s point of view is a little awkward but Spielberg should have reigned himself back in and focused more.

This horse movie is nearly three hours long and it is never clear what kind of movie we are actually watching. Spielberg is known for two types of filmmaking - family style blockbusters that are entertaining for all and graphic war films. WAR HORSE tries to be both of these films, which makes the experience a confusing one at times. The first hour, or at least it felt that way, is about Joey bonding with his young owner, Albert Narracott (relative unknown, Jeremy Irvine) and seeing if he truly can plow the field. The tone is light, the story tired and the shots somewhat plain considering the man behind the camera. Once he goes off to war, the tone changes drastically and the stylized violence Spielberg thrives on takes over, erasing all traces of family entertainment. Predictability follows and we wait for the horse to find his way home. We wait almost three hours ... for a horse.